What makes Fire In The Radios music especially powerful is that they always seem to be reaching for the starsand preparing to fall. The Philadelphia four-pieces music is driven indie rock with a distinct shimmer on it that reminds one of jangling semi-goths like The Smiths. But guitarist-vocalist Richard Carbones moaned vocals and the use of heartrending minor chords throughout give their sound an inherent sadness. The result is Monuments, their plucky, atmospheric third album thats full of soaring aspirations while feeling firmly rooted in the clumsy realworld.

Before watching our exclusive premiere of EX-SF, we caught up with Fire In The Radio about what theyre going for with album number three.

What are you most excited for fans to hear on Monuments?

The evolution of our songwriting and the work we put into it. We wrote 30 demos that were chiseled down to the 11 songs on the record. It was a great collaboration between us and producer Jesse Ganger (Japandriods/White Lung). We spent quite a bit of time thinking about how we wanted the guitars, drums, and bass to sound. We made a conscious effort to amalgamate influences and push them to a point where we created something unique. Lyrically, Rich and Jonathan [Miller, guitars and vocals] worked hard to write narratives that were compelling and a clearer reflection of who we are as aband.

Is there a track on the album that you think sums up where Fire In The Radio aretoday?

There are two: Ex-SF and Tulare. We have always tried to build diversity into the songs we write. These tracks tend to showcase variations on creating songs that are energetic and melodic, yet retain a popelement.

Youve said that you were driven on this record to write songs the people who placed their trust in you would want to hear. What, in your opinion, do they want? What did you feel like they wereowed?

Hope. This record would not exist but for the people who have supported us and given us the opportunity to make more art. We always say we have friends, not fans. Weve received several messages over the last few years from people telling us how our songs have helped them through hard times or have been a soundtrack to great moments in their lives. Whether these people knew it or not, these messages inspired us to keep going. Its easy in the current climate to feel helpless or small. We wanted to write a record that acknowledged those feelings, while instilling a sense of hope in people who have helped us along theway.

Tell me about the title and the cover. What are the monuments in question, and how did the design of the sleeve come together?

As we were writing this record, Rich sent around a picture he took on the 4th of July. The silhouettes, smoke, and fading fireworks were demonstrative of how traditional monuments have lost their meaning in recent years. At the same time, we liked the juxtaposition that people could be their own monuments, or that songs could serve as monuments to a particular place and time where people were empowered to seek change. This became a guidepost for therecord.

Is there something about Philadelphia that inspires you today? What is it like being a Philly rock band rightnow?

Philadelphia has undergone a fairly significant transformation over the past several years. On the back of a robust artistic community, there has certainly been gentrification that many would say is a negative. At the same time, there remains a vibrant scene that celebrates local music. As a result, there are several great venues to play and bands to collaborate with. Philadelphia has a storied history as a city that celebrates rocknroll, and that still rings truetoday.

Check out our exclusive premiere of Fire In The Radios EX-SFbelow:

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Fire In The Radio Roll With The Punches In Their Cinematic New Video - Kerrang!