This is the end.

"The versatility of the vocals on these five songs is just over the roof, its really all over the place. The way the singer shifts between different styles and techniques without losing the cohesiveness is incredible. Here he sounds like Jacob Bennon and now hes Troy Sanders of Mastodon, Mike Patton flip-flops with Keith Buckley, and yet theres always something unique in Eugene Tymchyks voice." Sputnikmusic (www.sputnikmusic.com/review/77831/The-Nietzsche-Finals.)

"Between bursts of mayhem resembling The Chariot and the blissfully catchy choruses of Mastodons prog-metal output, The Nietzsche have always thrown surprises into their music, and have had a wildly creative presence online too. The passion for the project is rare to see, only making the wild variety of emotions on Finals. clearer and more enjoyable. Manic and searing one minute, vocalist Eugene Tymchyk and his band drop the heartfelt tunes too. Just, hidden among the blasts and general bad-assery." Heavy Blog Is Heavy (www.heavyblogisheavy.com/2018/09/26/the-nietzsche-say-their-final-good-byes)

"Aleksey Elanskiy's thoughtful, melodic approach to writing heavy riffs continues to impress, achieving with one guitar what often takes two or more. I think the production on the record benefits everyone in the band in different ways, but the guitars seriously sound phenomenal." Sputnikmusic (www.sputnikmusic.com/review/77848/The-Nietzsche-Finals.)

"Their new record takes us into the wilderness of their own mixture of styles and just like their pioneers landmark works, it pushes the boundaries of musical forms and perfects the fierce, yet very smartly crafted intensity of their unique style." Idioteq (idioteq.com/10-things-that-inspired-the-final-ep-from-mathcore-metalcore-wizards-the-nietzsche)

"One all too often overlooked aspect in all genres of music is the bass. The prevalence and power of the bass on Finals. is almost disorienting and distracting. There is a specific riff on Shake your Spear where everything but the bass subsides, while Dmitry Ulyanov, wizard that he is, thumps out a riveting and wild solo that steals the spotlight for the rest of that song." Riff Relevant (www.riffrelevant.com/2018/10/21/the-nietzsche-finals-review-stream)

"This band really needs more recognition for doing what they're doing and the work they've put in. The Nietzsche continue to push themselves further and further with every EP. Yet again my only issue is that I'm left wanting more. At this point we've gotten three EPs but I would really like to see what they can do with the breathing room of a full length. Hopefully in the future we'll get something but for now I'll take what I can get, Finals. doesn't feel like settling, more like a sampling of what's to come." Metalloud (www.media-dissection.com/metalloud/the-nietzsche-finals-album-review)

"Sumburial Finals. repels and attracts at the same time. Its changeable mood and short timing in about 15 minutes causes a strange feeling of understatement, and makes me look for some hidden, possibly even non-existent philosophical underpinnings in the tracks. At the same time, the album gets you with its expressiveness, carefully polished sound quality and virtuosity of unpredictable bass parts." Noizr (noizr.com/news/reviews/the-nietzsches-last-chord-review-of-ep-finals./:2245)

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